A newly formed supergroup called King Ultramega—boasting an impressive lineup of rock and metal legends—has launched an ambitious project dedicated to celebrating the life and legacy of the late Chris Cornell. Their first release, a powerful cover of Soundgarden’s “Rusty Cage,” dropped today, with all proceeds going to the MusiCares Foundation to support musicians facing challenges with mental health and addiction. You can check out the track below.

The inaugural recording of “Rusty Cage” features William DuVall from Alice In Chains on vocals, Bill Kelliher of Mastodon on guitar, Charlie Benante from Anthrax and Pantera on drums, and project founder Mark Menghi of Metal Allegiance handling bass duties.

Adding even more authenticity to the tribute, Soundgarden’s legendary guitarist Kim Thayil has officially joined the project, with plans to appear on future tracks. His involvement brings a deep sense of approval and genuine connection to the original band.

Menghi, who brought the collective together, emphasized the significance of Thayil’s participation: “When Kim agreed to be part of it and re-record one of his own songs, I knew this was something special in the making,” he reflected.

Kim Thayil, in his own statement, shared heartfelt appreciation for the project. “I feel incredibly honored to be recording alongside these amazing musicians for King Ultramega. I’m proud this tribute celebrates Soundgarden and honors Chris’s songwriting. Even better, everyone’s efforts support the vital work of the MusiCares Foundation.”

The launch of King Ultramega coincides with Soundgarden’s long-awaited induction into the Rock and Roll Hall of Fame, making the tribute especially meaningful for all involved. For Menghi, the project is personal: “I’ve gone through some very dark times myself. There were moments I didn’t think I’d make it, but I’m still here. Those experiences helped me relate to Chris in some way, which inspired King Ultramega’s creation.”

Menghi was clear that the intention was never to reinvent Cornell’s music, but rather to pay homage to it, always guided by the question, “How would Chris feel about this?”

“It’s truly about celebrating the legacy of Chris Cornell. Nothing more, nothing less,” Menghi stated.

“Rusty Cage” is just the beginning for King Ultramega, which plans to release more tracks featuring an ever-evolving lineup of renowned artists. Future songs will spotlight talents like Joe Satriani and Alissa White-Gluz, among many others.

0 Shares:
Leave a Reply

Your email address will not be published. Required fields are marked *

You May Also Like
Read More

Rihanna calls it “Dogtopia” — a 15-acre facility being built near Barbados, with a $5 million investment from her. It’s not just a shelter, but a healing center for dogs who have been abused, abandoned, or traumatized. “We have training camps, water parks, 24/7 veterinary care — but most of all, we have love.” Rihanna shares that dogs are more than just pets — they’re family. She hopes Dogtopia will become a national model and inspire other athletes to take action.

Table of Contents Hide A Model for the FutureBarbados — Known for her powerhouse voice, groundbreaking fashion line,…
Read More

“I Could Hear John’s Voice Beside Me… Like He Never Left.” Paul McCartney brought an entire stadium to tears in Buenos Aires with a moment no one expected. For the first time ever, he performed Now and Then—the emotional final Beatles track featuring John Lennon’s voice and George Harrison’s guitar. As McCartney played beneath flickering vintage footage, River Plate Stadium turned into a cathedral of memories. Fans wept, shouted, and sang like their hearts couldn’t hold it all in. But the night didn’t end in sorrow—Hey Jude, Live and Let Die, and Band on the Run lit up the sky. Next stop: the UK. One final tour. One last chance to witness a living legend.

“Now and Then”: Paul McCartney’s Unforgettable Night of Tears, Tribute, and Timeless Magic It was supposed to be…
Read More

WHEN A FATHER TURNED HIS GRIEF INTO SOUND — AND BROKE EVERY HEART IN THE ROOM. It was supposed to be just another show — lights, applause, familiar chords. But when Joe Walsh walked to the microphone that night, something in the air shifted. His hands trembled as he gripped his guitar, and the crowd sensed it: this wasn’t performance; it was confession. Then came the first notes of “Song for Emma.” A ballad written not for charts, but for a daughter who would never grow old. Walsh’s voice cracked on the first verse — not from age, but from memory. “I can see your face forever in my mind,” he sang, and the room seemed to stop breathing. You could almost feel the space between father and child, life and afterlife, tightening with every chord. Some said later that the air itself changed — as if sound had become light, as if love refused to die quietly. One man in the audience whispered, “He’s not singing to us. He’s singing to her.” When the final note faded, the silence wasn’t emptiness. It was sacred — a moment when everyone understood that grief, in the hands of a musician, can become grace. And somewhere beyond the lights, perhaps a small voice was listening — smiling, as her father turned sorrow into something eternal.

Table of Contents Hide Joe Walsh’s “Song for Emma”: A Father’s Eternal FarewellA Song of Pure HonestyA Father’s…
Read More

Adam Lambert Breaks Down Mid-Song In Tearful Tribute To His Mom — A Raw, Unscripted Moment That Left Thousands Sobbing On the night meant to honor two decades of stardom, Adam Lambert dropped the spotlight—and gave it to the woman who raised him. When his mother Leila joined him on stage for a surprise duet of “Because You Loved Me,” the crowd expected a performance. What they got was a soul-shattering confession. As the lyrics hit too close, Adam’s voice cracked, his knees buckled, and he collapsed into her arms, whispering, “Sorry, Mom… I’m not perfect—but everything I am, I owe to you.” No theatrics. No production. Just pure love that silenced the room and flooded hearts

Table of Contents Hide “Adam Lambert Breaks Down In Tears Singing With His Mother On Stage – A…